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Professional interior designers are expertly trained in the use of lighting features to create breathtaking results. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my experience in London’s interior design community to explain this fascinating subject. This third article talks about how to create patterns using opaque materials.

The second way for an interior designer to create light-based patterns involves opaque surfaces, which reflect light back into a room. This pattern creation process is more sophisticated and can be fine-tuned for stunning interior design effects. Light portrayals impact how we understand a surface and its texture. For example, the “standard” technique often seen in London residences simply involves casting a gentle play of light across a wall. The light brushes the fittings, causing the wall to appear even, flat and two-dimensional. Some top London Interior Designers know that their clients crave more drama and stylistic nuance. In such cases, placing lightwell fillings very close to the wall and angling them downwards can be really striking. Using this technique, interior design consultancies can transform the previous gentle wave into an enunciated designer style, as the photons shave the surface and build to form sturdy optical patterns, including top-level arcs and dramatic textures. A sharper, more laser-like focus will only make the pattern more conspicuous – recreating a look that is popular in many trendy London nightclubs.

The direct counterpoint to this interior design technique involves the use of close-offset uplighting. With this approach, floor-level filaments cause the eye to move up vertical columns of light which dance across the wall to form puddles of dappled reflected light on the ceiling. Professional London interior designers often work alongside colour consultants to make sure that the result has practical relevance as well as aesthetic appeal. In particular, some newer London residences often have uncomfortably low ceilings. Interior designers can use this lighting approach to draw attention to the vertical plane of the wall, thereby counterbalancing the hemmed-in feel of the low ceiling.

interior design oxford rogue designs

interior design oxford rogue designs

Bathroom Design New York

Six main lighting tools are considered foundational by established interior design consultancies. These are down-lighters, up-lighters, wall-washers, decorative lighting, colour and control. Many London interior design consultancies will preferentially think of these mostly in terms of mood and results – from daring highlights to soft textures – instead of as hardware and installations.

Down-lighters are often set back into a false ceiling, although some interior design consultancies will prefer to install them on walls. These units will direct light downwards, and can be focused by the design team as necessary, perhaps to illuminate the floor or a favourite contoured bookcase. Most interior design consultancies recognise that this type of light is very sharp and will generate somewhat intense shadows, which can be a refreshing contrast to the occasionally dreary London weather. The most popular units are always available in narrow beam designs, which are best for highlighting certain features. Interior design consultancies will sometimes opt for a wide beam model instead. One nice technique that I have seen used in a few London residences is to create an array of shimmering ceiling lights with wide-beam downlighters. This is appropriate when the interior design consultancy wishes to create a more general, ambient light, but with a fabulous designer feel.

Up-lighters wash the ceiling with light, and the ceiling then serves as its own lighting fixture, bouncing relaxing and general illumination back into the living area. Interior design consultancies will use up-lighters to create an engaging feeling of openness and upward motion when the ceiling is painted a dark colour, in which case the reflected lumens will be low. Up-lighters in London are often either free standing or wall-mounted, usually above head-height to eliminate dazzle. One great technique that I once saw used by a well-known London interior design consultancy was to incorporate a fabulous up-lighter that was recessed into the floor as a central feature, creating drama and powerful contrast for a cove and elongated column.

In the next article in this series “DeLIGHTed by Design,” I will continue explaining how interior design consultancies rely on the six core lighting tools.

interior design oxford rogue designs